David Byrne once wrote that music’s evolution is shaped by the spaces it occupies, filling rooms and halls the way water takes the shape of its vessel. Artists, he observed, “work backward, either consciously or unconsciously, creating work that fits the venue available to us.” And what if no venues were available? He doesn’t say, because before the horrible, terrible, never-to-be-forgotten year of 2020, it would have seemed like a preposterous thought.