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More Bee Gees Than Blue Grass, The Gibson Brothers Channel The 70’s On Mockingbird

After thirteen bluegrass albums and two International Bluegrass Entertainer of the Year Awards, The Gibson Brothers were ready for something different. The new album Mockingbird, released Nov. 9, exhibits a duo liberated and enthused by the experience of co-writing and recording in Nashville with veteran producer/engineer Dave Ferguson and Black Keys rock star Dan Auerbach.

“It was one of the best experiences of my life. Not just musically,” says Eric Gibson. “I'm still fired up about it.” The banjo veteran played electric guitar and let Auerbach lead him and his brother into new sonic frontiers. “I remember saying in the past I’ll never have a record with strings on it. I’ll never have tambourine. Well there’s everything on this, but they’re subtle!”

Eric and brother Leigh heard many of the album’s countrypolitan and pop influences - Don Williams and Charlie Rich for example - on AM radio country music growing up on a dairy farm in the 1970s and 80s. But they started picking bluegrass early and gradually became a leading national band. Eric Gibson says it’s taken perseverance.

“We had to learn the business with no road map, as a couple of farm boys from northern New York State. A lot more travel. It’s always been an uphill fight for us to continue in the music business and in bluegrass and I think we’ve done a pretty good job.”

In an interview for an upcoming episode of The String, the brothers go deep on what led to the production of Mockingbird and a process that was unlike any record making they’d tried before.

Eric on Dan Auerbach: “I've never met anybody who loves music more than that man. And our life has been in music so that says something. it's inspiring and motivating. He's got an incredible work ethic. I haven't been around anyone who worked that hard at anything since my father, who was a dairy farmer. I'm being serious. It's impressive. Where we grew up that's kind of how you measure people."

Leigh on the tenor of the production: “Those that are younger than us have to searching for that, but these are the first sounds we heard in our lives. So it feels very natural. It’s not like we have to learn how to do this. It’s embedded in us because that was AM radio. That’s the music our parents listened to.”