Arts and Entertainment

Guitar slinger, songwriter and American original Jerry Reed made some of the funkiest records in country music in the 1970s, including the slinky, butt-shaking syncopation of “Amos Moses” and “When You’re Hot, You’re Hot.” That’s part of what inspired bass player and DJ David Guy to assemble and organize an impressive cast of musicians and singers last week at 3rd & Lindsley for a tribute to Reed. Nashville photographer (and drummer) Sam Wiseman was on hand, and we’re excited to showcase his coverage of the night, while Craig reviews.

Todd Snider, possibly the greatest solo songwriting raconteur of the past quarter century, blends an eye for truth with a delight in the absurd. As East Nashville’s musical mayor and its hippie Hemingway, it’s impossible to imagine the character of 37206 without him. And now, after building a virtual ark for sanity during the pandemic with The Get Together online series, the most innovative album of his career (First Agnostic Church of Hope And Wonder), a live collection (Return Of The Storyteller), and an acclaimed release of the shelved 2007 album Crank It, We’re Doomed, Snider has revealed his latest concepts to the world.

Episode 275 of The String begins with an ode to the studio and stage musicians who come up with parts and make the singers and stars sound great, while being relegated to the sexist, ungenerous title of “sidemen.” I’ve always had my eyes and ears on them as a music fan, and as a journalist, I know they are often untapped wells of stories and insights. Recently, I got to thinking about a musician - a bass player - who’s been on more big sessions and done time with more impactful artists than most in roots/Americana music over the past 35 years. So I invited Byron House on to the program.

Beyond his skills as a guitarist and singer, Clay Ross is what I like to call a Musical Instigator. Since heading to his current base in New York 20 years ago from his home town of Charleston, SC, he’s conceived and organized three brilliant groups that bring a new global consciousness to American roots music. First it was Matuto with its infusion of Brazilian melodies and rhythms. Then with old college-era friends from South Carolina he launched Ranky Tanky, a Grammy-winning outfit that reimagines African-American Gullah music for a world stage. His latest project is the American Patchwork Quartet, with members from three continents and a completely original way of updating classic folk songs. We go deep on his background and his approach to making creative space for diverse people to truly collaborate.

Bluegrass fans who love to stay home in the winter aren’t left out in the cold, because of a bumper crop of excellent new albums. Mostly by women and younger artists, they tell a gratifying story about where today’s music is going, and we’ve been reveling in these neo-traditional sounds over on The Old Fashioned (Saturdays 9 am / Tuesdays 8 pm).

Thirty years ago, legendary R&B singer Delbert McClinton proved he was ahead of his time by launching his Sandy Beaches Cruise, a January festival at sea that featured his friends and associated artists from the bluesy side of Americana. Since then, the music cruise business has flourished across many genres. A company called Star Vista Live bought Sandy Beaches from Delbert a few years ago and now does the management while Delbert himself acts as host. I got a fortunate invitation to act as artist interviewer on this year’s cruise, and they let me report my own account of this luxurious but accessible experience. In this hour you’ll hear from Delbert himself, Mavericks lead singer Raul Malo, cruise lifer Marcia Ball, emerging artist Yates McKendree, singer Etta Britt, gospel great Anne McCrary, and more.

Lola Kirke got on America’s cultural radar as an actress - starring in the Amazon series Mozart in the Jungle, along with roles in Gone Girl and Mistress America alongside Greta Gerwig. But during those years, she was also quietly nurturing her passion for songwriting and music - specifically country music. The pandemic brought her to Nashville where her album Lady for Sale was released by Third Man Records to great acclaim. Now she’s about to release the new EP Country Curious and make her debut on the Grand Ole Opry. She’s a bold, dynamic personality and this was a really fun conversation that bridges New York, Nashville and Hollywood.

On a Grammy Awards when some popular genres of music represented themselves with swords and blood, the smashing of folding chairs, and a literal on-stage dumpster fire (and when classical and jazz seemed to not exist), country and roots music offered the world some moving examples of obligation, homage and collaboration. Between Joni Mitchell’s triumphant, first-ever Grammy performance and a Luke Combs/Tracy Chapman duet that stirred hearts on social media, this year’s ceremony, from a Los Angeles arena named for imaginary money, made the simplest songs look like the source of lasting value.

Nashville's Rod Picott is a veteran troubadour, with 12 studio releases to his credit and a trail of great reviews, though not the recognition his steady hand and persistence deserve. We do know that he’s playing the hallowed stage of 3rd & Lindsley on Finally Friday where he’ll be celebrating release day for his new album Starlight Tour, produced with East Nashville guru Nielson Hubbard. Also on this Friday’s bill are 1970s throwback country-rock band Gwen Levey & The Breakdown, vocally gifted English trio The Wandering Hearts. While you make plans to join us, here’s a catch-up conversation I had early this week with Rod Picott.

In just five years, including the pandemic shut-down, Nashville native Gabe Lee has grown from an unknown “hometown kid,” as one of his titles proclaims, to a debut last year on the Grand Ole Opry. Working independently with boutique Torrez Music Group, Lee has released four albums, earning the admiration of critics and a grassroots fan base that’s adding up to something special and sustainable. The most recent opus is Drink The River, which Lee took in a more acoustic and nuanced direction than his prior release, and which might be emerging as his career record.