I first heard Chris Smither as a fingerstyle guitar master who wrote good songs. With time I realized he’s a great songwriter who happens to be a standout guitarist. While never a household name, this 60-year veteran has long been a cherished icon of American folk and roots. His peers celebrated him in 2014 with the release of Link of Chain: A Songwriters’ Tribute to Chris Smither, featuring interpretations of his work by Dave Alvin, Peter Case, Patty Larkin, Mary Gauthier, Jorma Kaukonen, and Tim O'Brien. Now on the eve of his 80th birthday, Smither came by the studio to talk about his origins in New Orleans, his friendship with Bonnie Raitt, his boom times in the 1990s, and his newest album All About The Bones.

It’s one thing to get applause for your songs, and it’s another to get laughs. John Craigie of Portland, OR has quietly built a robust touring career because he’s an excellent songwriter who also keeps his audiences in stitches between songs. His newest album is a collaboration called Pagan Church with TK and the Holy Know-Nothings, the Portland band fronted by admired songwriter Taylor Kingman. We talk about how Craigie developed his stagecraft under the influence of artists like Arlo Guthrie and his friend Todd Snider, as well as his unlikely path to performing while getting a math degree in California. No surprise, it’s a lot of fun. Also in the hour, Dave Wilson and John Teer reflect on 25 years as Chatham County Line and the new directions baked into the new album Hiyo.

For a duo called the Secret Sisters, Laura Rogers and Lydia Slagle let their relationship hang right out there on stage. At a packed late April show at Nashville’s Basement East, amid masterful renditions of their new and familiar songs for a spellbound audience, the sisters niggled each other, rolled their eyes, and came off at times like siblings who’d maybe been cooped up together in a van too long. And at the same time, this banter, which gets laughs, is an endearing part of their show and their relationship with their fans. On record and in performance, the Secret Sisters have been all about harmony since launching on their rollercoaster ride in the music business around 2010. But in Episode 283 of the String, we get into the unique challenges and blessings of sharing everything with each other and the audience, year in and year out.

For twenty years, Duluth, MN troubadour Charlie Parr has been touring every corner of the nation, sleeping in his van and living lean, to bring his unique take on the country blues to the people. Reserved, cerebral and devoted entirely to his own vision, he’s one of our finest folk artists and a lyricist well worthy of a certain other Minnesota songwriter who so famously blended poetry and the blues. He took a new tack with his latest album on Smithsonian Folkways, tapping producer Tucker Martine and his studio friends for a contemplative and immersive album of ruminations, pictorials, and stories. For someone who’s not comfortable in interviews, he spent a convivial hour at my studio and left behind a remarkable conversation.

There are countless reasons to pay homage to the legacy of country music and almost as many different ways to do so. Canadian artist Bahamas and Nashville’s Kelsey Waldon are doing just that in their own ways with recent projects. At a time when country traditions are strong across the Americana landscape, Bootcut by Bahamas and There’s Always A Song by Waldon demonstrate the power of devotion to a craft on one hand and celebration of heroes on the other.

It's taken decades for the nature and impact of Jerry Garcia’s formative years as a musician and band leader to emerge and become semi-common knowledge, because for many, his devotion to old-time string band and bluegrass music between 1961 and 1964 doesn’t square with the quantum jams he’d be leading just a few years later. But because of the Dead, we have jamgrass, a popular branch of the family tree where instrumental interplay coexists with preservation of classic songs. And at last, this connection is made, and this story is told, in a new museum exhibit set for a two-year run, Jerry Garcia – A Bluegrass Journey, at the Bluegrass Music Hall Of Fame & Museum in Owensboro, KY. Episode 280 of The String takes you there with sound and voices from its grand opening weekend in late March.

In January, the newly energized Nashville Blues and Roots Alliance, a non-profit dedicated to cultivating blues careers and spreading its history through public schools, held its first-ever local competition to nominate contestant artists at the 2024 International Blues Challenge in Memphis. And in a nice Music City surprise, the NBRA’s delegate in the band category, Piper & The Hard Times, went to Memphis during the coldest week of the year, put on several sizzling sets, and came away with the grand prize. In this hour of The String, we meet Al "Piper" Green and his bandmate/guitarist Steve Eagon to talk about their game changing win. Up first, Gulf Coast blues and R&B icon Marcia Ball talks about fifty years of rocking roadhouses and the occasional blues cruise.

Suzy Bogguss started playing and performing on a hand-me-down guitar from her sister in small-town Illinois. After almost a decade making a living out west playing at ski lodges and smaller venues, she moved to Nashville, where she carved out a special place in 1990s country music. Amid a time of diversity and vibrancy in the format, her sweet, folky voice took flight when she found the right songs, including the career-makers “Someday Soon” and “Outbound Plane.” She’s toured steadily ever since, though recordings have been selective since 2000. During the pandemic though, she took on her first album of new material with last fall’s Prayin’ For Sunshine, the first where she’d written all of the songs. In this hour, we cover every key stage of this award-winning career.

Few pickers have toured harder or traveled farther than jamgrass veteran Vince Herman, who co-founded the iconic Leftover Salmon 34 years ago in Colorado. Yet there are always new things to try, so he’s added the band The High Hawks to his list of collaborations. Our sit-down visit was sparked by that band’s album Mother Nature’s Show doing so well on the Americana chart and by his own recent move from Colorado to Nashville, where he’s become a hub of the picking scene and an avid co-writer. We cover a lot of ground from his origins in Pittsburgh and West Virginia to the everlasting desire to play the next show. Also in the hour, progressive banjo player Kyle Tuttle calls in from a fishing trip to talk about his years with Molly Tuttle and his new solo album Labor Of Lust.

Episode 275 of The String begins with an ode to the studio and stage musicians who come up with parts and make the singers and stars sound great, while being relegated to the sexist, ungenerous title of “sidemen.” I’ve always had my eyes and ears on them as a music fan, and as a journalist, I know they are often untapped wells of stories and insights. Recently, I got to thinking about a musician - a bass player - who’s been on more big sessions and done time with more impactful artists than most in roots/Americana music over the past 35 years. So I invited Byron House on to the program.