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Karen Dalton, an enigmatic artist beloved by colleagues Bob Dylan and Phil Ochs, and idolized by followers like Nick Cave and Courtney Barnett, is the subject of a new film.

After Chapman released her 1988 debut, she was everywhere in pop and always on the mind of writer Francesca T. Royster. Hearing that album, she writes, "helped me say what I hadn't yet said out loud."

The internet's buzziest new artist talks creating her new mixtape to hell with it, sample culture, and nostalgia

The sapphic music label turns lesbian identity into a homogenous category.

What does it take to really know a record? To overcome feeling alienated by a challenging album, it sometimes takes abandoning preconceived ideas of expertise and looking for something more personal.

At the turn of the millennium, Radiohead turned creeping melancholy and desolation into two albums that changed the band's career. Two decades later, maybe we've caught up to their prophetic vision.

The new documentary Get Back, cut from 50-year-old footage of Beatles recording sessions by director Peter Jackson, offers a chance to look at one moment when the myth of the "band guy" took shape.

An arthritis diagnosis means the latest album by the Bay Area band The Dodos is likely its last. It is a striking reminder of the oft-overlooked physical strains of music careers.

Boldly going where few gay men of color have been allowed to go before, Lil Nas X won the year by joyfully violating cultural taboos and exploiting media far more than it was able to exploit him.

The colorful singer behind viral hit "Photo ID" is releasing her debut album, Juno. Using music to navigate struggles with sobriety, Wolf talks about vulnerability and creating to release feelings.