We love it when great things happen to good people, especially when the story is a total surprise, and that’s what’s been going on with Alabama-raised singer and songwriter Kashus Culpepper. He’d never been on a stage or played the guitar before 2020, but a confluence of free time, an encouraging group of friends, and a timely instrument helped Kashus find his voice and his calling. He’s been celebrated by the media and stars like Elton John, and his debut album Act 1 has surprised many with its depth and power.

Fifteen years into their close and literally harmonious relationship, Joey Ryan and Kenneth Pattengale sound as satisfied and enriched as ever by the audience and aura they’ve established in Americana music. The Milk Carton Kids name was a self-effacing joke about how quickly they expected to be forgotten, but it’s been quite the opposite. They’ve earned four Grammy nominations and an Americana Award as Duo/Group of the Year. Audiences still lean in to hear the nuances of their quiet and thoughtful sound. Their seventh album Lost Cause Lover Fool is the latest iteration of their less-is-more approach to folk artistry.

Liam Duncan grew up in the small city of Brandon, Manitoba and moved to the provincial capitol and musical hotbed of Winnipeg as soon as he could, thinking he might be a session musician and sideman. But post pandemic, he’s been Boy Golden, a quirky, neo-romantic persona making some of Canada’s most compelling folk rock. During a swing through Nashville, Boy Golden talked about shifting focus from Canada to the US, his tight band of old friends, and his new album Best Of Our Possible Lives.

Brit Taylor came to town from eastern Kentucky chasing the US Route 23 dream that brought us Loretta Lynn and Patty Loveless - and wound up working with Cowboy Jack Clement and Sturgill Simpson. Adam Chaffins grew up one or two counties over and ensconced himself, as a bass player and singer, in the East Nashville bluegrass scene. Eventually, a friend was smart enough to introduce them, and they became a super-talented Americana couple. But not a duo. Taylor has four albums out, including two produced by her husband. Chaffins dropped a debut LP in 2020 and a soulful EP last year, with Taylor’s harmony vocals. Craig visited their homestead near Mt. Juliet to hear their story around their kitchen table.

Nearly 12 years ago, an informal arrangement between the caretakers of a down-on-its-luck American Legion Post and a handful of young honky tonk musicians led to the creation of Honky Tonk Tuesday Nights, one of the most vibrant residency music series of the past two decades. It’s been a haven for people who love to dance, for East Nashville community, for visits from stars, and for talent development in roots/Americana music. Craig spends time with the event’s founders and takes you to the scene, now moved to Eastside Bowl in Madison. With a photo essay by John Partipilo.

The Infamous Stringdusters emerged out of Nashville’s world-class but somewhat undiscovered bluegrass scene of the 2000s. Six guys with different professional pathways into the music and wide ranging tastes in other genres got to know each other at gigs, picking parties, and the IBMA World of Bluegrass. And their first gesture as a band - the 2007 album Fork In The Road - was a triumph, winning three IBMA Awards. Since those days and after a couple of early personnel changes, today’s quintet has become a huge force in jamgrass music with a fierce and in-demand live show. Yet they turn back to some of the simpler and more blues-based elements of their core heritage on their new 20th anniversary release, 20/20.

He was an East Tennessee country guitar prodigy who was invited on the Grand Ole Opry at age 11 by Marty Stuart, and Trey Hensley has made good on that promise by emerging as one of the finest singers and pickers in contemporary roots music. His national profile took shape after forming a super-flexible duo with dobro master Rob Ickes around 2016. Now, after four albums, collaborations with Taj Mahal and a Grammy nomination, Hensley has revved up his songwriting and made Can’t Outrun The Blues, which is not his first solo album but the one he regards as his true artistic debut.

When Emily Scott Robinson released Appalachia, her fifth album in a 10-year career and her third for Nashville boutique Oh Boy Records, it spiked up into the Americana airplay top ten, something that had never happened to her before. But she had set the table through quality songwriting, ambitious touring, and a luminous voice that embraces the dark and the light with a rare alchemy. At WMOT’s Eastside studio, Craig and Emily speak about her newest work with super-producer Josh Kaufman and the hard work that led to it.

Justin Townes Earle, blazingly gifted and deeply troubled, died of an accidental drug overdose in 2020 at the age of 38, after a life beset by addiction. Six years later, two coincident projects expand on what we knew about the songwriter with a mix of compassion and regret. Sammy Brue, Earle’s much younger friend and protegé, has written a song cycle based on Justin’s private notebooks, shared by his widow. Rolling Stone journalist Jonathan Bernstein recently published the first definitive biography of Steve Earle’s son. Both join Craig in this hour of remembrance and appreciation.

Since breaking out with his 1989 major-label album How Did You Find Me Here, North Carolina’s David Wilcox has been a consistently excellent practitioner of the new folk, fingerstyle guitar arts. The songwriter, known for his empathic writing and audience-embracing shows, is now 67 and still thinking deep thoughts about the world, compassion, art, and the arc of life. He stopped through Nashville last November to talk about maintaining a “visionary attitude” over time and his latest album The Way I Tell The Story.