The String
Mondays at 8 p.m. and Sundays at 7 a.m.
The String is where history and music meet on WMOT Roots Radio. Each week, veteran radio journalist Craig Havighurst hosts extended conversations with today’s finest music makers, songwriters, producers and storytellers. Over nine years, Craig has interviewed a who’s who of American music - Rodney Crowell, Buddy and Julie Miller, Margo Price, Dom Flemons, Rosanne Cash, the McCrary Sisters and many more - with plenty of music highlights to illustrate their epic careers.
The String airs Mondays at 8 pm and Sundays at 7 am. Show note features are published on WMOT.org, and every episode is distributed across all major podcast platforms. Find the complete archive of shows here.
Latest Episodes
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Last year, The String got a new opening theme tune. “Vera” comes from New York based mandolin virtuoso, composer and band leader Jacob Jolliff. The Oregon native came East when he got a scholarship to the Berklee College of Music. He’s worked for some big-league bands including Joy Kills Sorrow and Yonder Mountain String Band, but in this decade he’s found an audience for his own four-piece Jacob Jolliff Band. We talk about building the audience for instrumental, improvisational acoustic music and about select pieces from Jake’s fascinating discography.
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Ashley Monroe moved to Nashville just after 10th grade from East Tennessee with a single-minded drive to sing and write country music. Her career would be the envy of many - including Grammy nominations, several major label albums, and Pistol Annies, an influential supergroup - and yet many in roots music haven’t recognized her as among the greats of our time. Following recovery from blood cancer, Monroe reached deep into herself, producing her most ambitious and daring project yet, Tennessee Lightning.
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Her name is made of flowers. And she’s been spreading bouquets of joy and open-hearted country and rockabilly for more than 50 years. She is Rosie Flores, sounding great and enjoying the stage as much as she ever has as she cruised past her 75th birthday during Americanafest 2025. A couple days after that, we sat down to talk about her (outstandingly) supportive parents, the Los Angeles alt-country scene of the 1980s and 90s, and her new album Impossible Frontiers.
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Daniel Donato became one of Nashville’s more revered electric guitar players during his three years playing four nights a week at Robert’s Western World on Lower Broadway. When he lost that gig in 2015, he had to start from scratch as a working musician and songwriting artist. In his second appearance on The String, Donato talks about landing some touring band gigs that sustained him while he developed his Cosmic Country concept. The band and his repute grew, and ten years after leaving Broadway, he headlined the Ryman Auditorium. Also on the table here, his two recent albums, Reflector and Horizons.
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Since co-founding the history-making, history-preserving North Mississippi Allstars almost 30 years ago, Luther Dickinson has taken his guitar, his deep blues repertoire, and his Memphis soul around the world and into all kinds of collaborations. In his latest return to The String, we talk about the nature of improvising and some of his recent experimental and instrumental projects, plus the 2025 Allstars album Still Rollin’, marking the 25th anniversary of the band’s debut album.
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Robert Randolph had no plans or dreams to take his fiery talents on the pedal steel guitar beyond the New Jersey church where he grew up and the network of pentecostal Black churches around the country that made the “sacred steel” a core part of their services. But his passionate sound and his joyful improvisational spirit were a perfect match for the jam/rock scene of the early 2000s. He’s been a steady contributor ever since, through wide collaborations and a string of albums with his “Family Band.” Now he’s leading the band under his own name and he has a fabulous new record on the revitalized Sun Records.
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South Carolina guitar wizard and powerhouse singer Marcus King has come through the valley of shadows, breaking self-destructive habits and arriving at a place of contentment and love on his latest album Darling Blue. In a career-spanning conversation, King talks about his unique path to finding his voice on the guitar, his collaborations with a series of very different world-class producers, and his place in the shifting ecosystems of jam band and Americana music.
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North Carolina songwriter Tift Merritt became an instant star of Americana music when she emerged in the early 2000s with Bramble Rose (2002) and Tambourine (2004), but only with time have we learned that her relationship with her prestige record label - Lost Highway Records - was tumultuous and dispiriting. After a period of relative quiet on the music front, she’s re-issued Tambourine on vinyl for the first time and put out a collection of demo/kitchen tapes that contextualize that classic. From her home in Raleigh, Tift catches us up on her diversified creative life.
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Ken Pomeroy, who turned 23 days after this interview, is a fresh voice not just from the Oklahoma lineage of great roots songwriting and musicianship, but also from a new generation of Native American voices in popular music. She talks about her Cherokee heritage and the stewardship that comes with it, plus her emotional bond to music in this introspective hour. You’ll also hear incisive and often sad songs from her acclaimed national debut Cruel Joke, out this spring on Rounder Records.
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In a time when bluegrass is surging with young talent and mainstream dreams, Danny Burns and Shelby Means offer two profiles in making the string band business work in 2025. Burns is an Irish immigrant who brought his trad training and hearty work ethic from his native County Donegal. Even before releasing North Country in 2018, he’d made a name and reputation among roots music elites, and he shows his flair for cover songs on the new Southern Sky. Shelby Means played bass for Della Mae during their breakout years and became stylishly famous working with Molly Tuttle’s Golden Highway Band. When that came to an end this year, she had her debut solo album ready to go.