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  • In the latest edition of Word of Mouth, NPR's Steve Inskeep gets recommendations from Daily Beast editor Tina Brown on the subject of survival.
  • A new CD and DVD box set, No Pryor Restraint: Life in Concert, showcases the searing, profane and moving performances of comedian Richard Pryor. Pryor's widow, Jennifer, says his genius lay in his honesty about his well-publicized troubles.
  • What do you do with something that seems designed only to offend? Ignore it, or say something?
  • Actor Jesse Eisenberg could watch the British film Submarine a million times. "The movie as a whole is really wonderful but what I love about it even more is that each individual moment seems so special," he says.
  • Tad Pierson has made a career out of his love for cars and American music. He says there are "fewer and fewer real-deal places to go and hear the real stuff," but it's his job to find and share it — one carload of listeners at a time.
  • A new exhibit in Berlin's Jewish Museum is intentionally provocative. The point, one curator says, is to "get people talking about how they perceive Jews, particularly in Germany today." At the center of the controversy is a display in which a Jewish person sits inside a glass showcase and answers questions from visitors.
  • Visual artist Carrie Mae Weems has been celebrated for her art and activism for decades, and now she can add a MacArthur "genius" grant to her collection. In a conversation with NPR's Michel Martin, Weems discusses life, love and turning 60.
  • When parents aren't sure how to approach a difficult subject, they sometimes turn to other media — and Linda Ellerbee is happy to lend a hand. She's been the host of Nickelodeon's NickNews for 22 years, and her one rule of thumb is don't dumb it down.
  • Finding poetry / in the news of the moment / can be rewarding.
  • When dictionaries add trendy words like "twerk," they're prioritizing the fleeting language habits of the young, says Geoff Nunberg. And our fascination with novel words tends to eclipse subtle changes in the meanings of old ones — "which are often more consequential," he says.
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