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Rodney Crowell let it slip in the middle of this interview that it was the eve of his 75th birthday. One of America’s greatest (and most commercially successful) songwriters is now three quarters of a century old, a steady patriarch. He continues to do excellent work, evidenced by two fine albums in a row, 2023’s The Chicago Sessions and the brand new Airline Highway. In both cases he collaborated with younger producers and musicians, spreading his wisdom around and drawing on their ideas and spirit. In his second appearance on The String, Crowell talks about maintaining his writing discipline, working with Jeff Tweedy and Tyler Bryant, and waking up to Louisiana R&B music as a teenager.

Leslie Jordan, the Nolensville, TN-based songwriter not the late comic actor and singer, makes a major statement in her pivot from a robust career in Christian folk/pop to storytelling Americana with The Agonist. It’s a song cycle that fleshes out the story of her late grandfather, a conflicted and complex man who left his family in Indiana when Leslie’s mother was four years old. Through a unique collaboration with a collection of his posthumous journals and writings, she builds a world and a character, holding him accountable while investing his story with dignity. It’s beautifully produced with Kenneth Pattengale and is one of the most impressive albums of 2025.

This week on Finally Friday we have Australian songwriter Josh Rennie-Hynes, high-concept blues band Coyote Motel, and breakout Voice alum Madison Hughes(Pictured).

San Francisco blues rockers Wreckless Strangers, blues artist Ryan Lee Crosby, and country/western swing artist Stefanie Clark Harris.

Guitarist, singer and songwriter Eli West works with a quiet designer's mind in the Pacific northwest, and everything we hear from him has a rare depth and gravity. He's an avid collaborator who attracts greatness, having worked with Bill Frisell, John Reischman, Dori Freeman and others. I was taken with his album Tapered Point Of Stone in 2021, where West's musicianship blended organically with great east coast musicians Christian Sedelmyer (fiddle) and Andrew Marlin (mandolin). So it was exciting to see West release his new Shape Of A Sway album arrive in July. We've selected the gracefully swinging "Ever Lovin' Need To Know" for this week's roundup of new music. But we open by celebrating the first single in ages from our beloved old-time quartet The Onlies, followed by a sentimental new song from Hall of Famer Larry Sparks. The novelties continue with Kentucky's Carla Gover, fiddle wizard Darol Anger, and trad torchbearer Junior Sisk.

Amy Alvey is a fiddle instigator. She tours and performs of course, but she also teaches in person and on-line, and she organizes old-time jams, including our annual Old Fashioned String Band Throwdown pre-party, pictured here. (We'll be back at Dee's by the way on Tues., Sept. 9 by the way so make plans to join us from 4:30 on.) Anyway, Amy extends her mission to share American fiddling with the people this week in a special episode. She made a list of the tunes that she teaches as core old-time repertoire and then found great examples of those tunes spanning present day recordings and old archival tracks. From "Fire On The Mountain" to "Lonesome Road Blues" to "Reuben's Train," this show will build your own experience with this great body of work, as well as the many regional and individual fiddle styles there are out there.

Vickie Vaughn keeps stepping up her game across the board. She’s been a charming and sincere member of the Nashville bluegrass community for years, lending her bass playing and harmony vocals to a range of artists as a side player and some premium bands as well, including High Fidelity and Della Mae. In 2023, she was named IBMA Bass Player of the Year and then she repeated a year later. This year she’s been rolling out new music as a featured artist, on her way to releasing an album on Mountain Home Music this November. We’ve spun her twist on Bruce Robison’s “Leavin’” and now she shines on the emotional ballad “Mama Took Her Ring Off Yesterday.” We knew she could really sing; now we really get to hear it. Also this week, a square dance number from Lonesome River Band, a new one from Jaelee Roberts, and a swinging instrumental from Andy Leftwich.

In a time when bluegrass is surging with young talent and mainstream dreams, Danny Burns and Shelby Means offer two profiles in making the string band business work in 2025. Burns is an Irish immigrant who brought his trad training and hearty work ethic from his native County Donegal. Even before releasing North Country in 2018, he’d made a name and reputation among roots music elites, and he shows his flair for cover songs on the new Southern Sky. Shelby Means played bass for Della Mae during their breakout years and became stylishly famous working with Molly Tuttle’s Golden Highway Band. When that came to an end this year, she had her debut solo album ready to go.

We feature Minnesota roots songwriting veteran Amanda Grace, Western NC musician and poet Reed Turchi, and golden-throated alt-country singer KP Hawthorn (pictured).

North Carolina songwriter Tift Merritt became an instant star of Americana music when she emerged in the early 2000s with Bramble Rose (2002) and Tambourine (2004), but only with time have we learned that her relationship with her prestige record label - Lost Highway Records - was tumultuous and dispiriting. After a period of relative quiet on the music front, she’s re-issued Tambourine on vinyl for the first time and put out a collection of demo/kitchen tapes that contextualize that classic. From her home in Raleigh, Tift catches us up on her diversified creative life.