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There are countless reasons to pay homage to the legacy of country music and almost as many different ways to do so. Canadian artist Bahamas and Nashville’s Kelsey Waldon are doing just that in their own ways with recent projects. At a time when country traditions are strong across the Americana landscape, Bootcut by Bahamas and There’s Always A Song by Waldon demonstrate the power of devotion to a craft on one hand and celebration of heroes on the other.
  • After more than a decade helming her progressive acoustic band The New Hip, bass player Missy Raines has reconfigured and turned back to the music she was raised on and the genre for which she’s been named Bass Player of the Year by the International Bluegrass Music Association ten times, most recently in 2021. Her new band is called Allegheny, and her new album Highlander finds her singing about the lonesome wind, fast-moving trains, and more weighty and contemporary subjects in the old school style.
  • Few pickers have toured harder or traveled farther than jamgrass veteran Vince Herman, who co-founded the iconic Leftover Salmon 34 years ago in Colorado. Yet there are always new things to try, so he’s added the band The High Hawks to his list of collaborations. Our sit-down visit was sparked by that band’s album Mother Nature’s Show doing so well on the Americana chart and by his own recent move from Colorado to Nashville, where he’s become a hub of the picking scene and an avid co-writer. We cover a lot of ground from his origins in Pittsburgh and West Virginia to the everlasting desire to play the next show. Also in the hour, progressive banjo player Kyle Tuttle calls in from a fishing trip to talk about his years with Molly Tuttle and his new solo album Labor Of Lust.
  • John Leventhal is one of the quiet achievers of American roots music going back more than 30 years. Early on as a guitar player in his native New York City, he connected with Jim Lauderdale and Shawn Colvin, co-writing and producing their debut albums. He met his wife Rosanne Cash as they worked on the pivotal album The Wheel. He’s produced some epic albums since then for William Bell, Sarah Jarosz, and others, winning numerous Grammy and Americana awards in the process. At last, he lent his guitar and studio skills to making the solo debut album Rumble Strip. Rosanne is there for some duo vocals, but otherwise it’s warm and tuneful instrumentals that foreground some of the lovely textures and grooves that have been behind so many albums we’ve loved.
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