A few years ago, Colorado’s Tyler Grant was twanging an electric guitar and touring with his band Grant Farm. After the pandemic, he joined the world of river guiding and entertaining customers on trips through some of the West’s most beautiful and important canyons. Now Grant has circled back to the music that propelled him into the spotlight as guitar player in the Emmitt-Nershi Band - bluegrass guitar. His new album Flatpicker is a mix of instrumentals and songs, but they’re all about the places and stories of the western land he cherishes.

Over a 15-year career that began in Boston’s jazz and old-time scene, Nashville-based Miss Tess has distinguished herself with a hybrid blend of contemporary songwriting and vintage, swinging Americana. On her newest, the widely traveled artist taps a long love affair with Cajun country in Louisiana, yet it’s her own blend rather than a traditional homage. Our conversation spans her upbringing in Maryland, her passion for early blues and jazz, her fascinating musical relationships and her annual immersion in the Blackpot festival in Lafayette, where she made the new Cher Rêve.

As the new year dawned, the first emerging artist that started buzzing on our radar was a California native living in Nashville with an emotional country-noir debut album called Silver Rounds. She was Olivia Wolf, and now months later, her album has proven its staying power, with critical acclaim and a long run on the Americana chart. She’s no youngster, so our conversation dives into her background and her long, patient journey to fully committing herself as a songwriter/artist. That story includes coming of age at the Hardly Strictly Bluegrass festival and a tragic event in her life that inspired many of her best songs.