Search results for

Since co-founding the history-making, history-preserving North Mississippi Allstars almost 30 years ago, Luther Dickinson has taken his guitar, his deep blues repertoire, and his Memphis soul around the world and into all kinds of collaborations. In his latest return to The String, we talk about the nature of improvising and some of his recent experimental and instrumental projects, plus the 2025 Allstars album Still Rollin’, marking the 25th anniversary of the band’s debut album.

Featuring Garrett Boys, Garrett Hendricks & Lauren Lucas.

For our first show of 2026, we take one last look over our shoulder at 2025’s coolest and most newsworthy bluegrass, old-time, and folk music. There was a lot of fine music, but for me, there were a few standouts, as outlined in my Dec. 19 feature The Old Fashioned Dozen. The collaboration in which Po’ Ramblin’ Boy CJ Lewandowski coaxed his friend and mentor Bobby Osborne into the studio for one more set of recordings – including “Rocky Top” – before his passing was both beautiful to listen to and one for the history books. Jason Carter and Michael Cleveland showed why they’re the state of the art in bluegrass fiddling and song curation on their IBMA Album of the Year. My favorite discovery of 2025 was The Wild Shoats, an exciting young band from WV and PA. Billy Strings and Bryan Sutton paid Doc Watson the highest homage with their live album and tour. And Rhiannon Giddens and Justin Robinson really surprised us with an al fresco old-time album from the historic Piedmont of North Carolina. Onward to the new year!

Our holiday special features (we think) tracks that we’ve never played on the show, even though we have our favorites from years past. Molly Tuttle and Ketch Secor set the scene for the season with their new single “Fairytale of New York.” The obligatory “Christmas Time’s A Comin’” comes this year from the amazing trio of Doc Watson, Mac Wiseman, and Del McCoury. Particularly interesting is Bela Fleck’s solo holiday medley. There’s just about nothing he can’t play. Sorry this is going up in the archive so late! But perhaps it will bring you a memory of a good Christmas 2025.

Russ Carson didn’t just have a father who played the banjo; he had a father who made them. So yeah, music was in his Pennsylvania home, and he began playing at age 10. He did time with several bands, including Gold Heart and Audie Blaylock’s Redline, before joining one of the elite units of our time, Ricky Skaggs and Kentucky Thunder. He recently released what appears to be his third solo album Songs That Birds Don’t Sing through the Engelhardt Music Group, and it’s a wonderful ride that mixes styles and classics with Russ’s original tunes. We spin “Look Me Up By The Ocean Door,” written by the Cox Family, with Ron Block on lead vocals. Also new this week, a rich socially provocative song from the Del McCoury Band, a beauty from our favorite dulcimer player Sarah Kate Morgan and fiddler Leo Shannon. The new Laurie Lewis song is a blazer too.

I’m reading the new biography Doc Watson: A Life In Music by Eddie Huffman, and it’s such a pleasure to get a close-up, beat-by-beat, account of Doc’s heroic, era-shaping career. As much as I’ve studied his music and read many liner notes (I even got to interview him once), there are details that only a devoted researcher could elucidate, and Eddie does a wonderful job. One of the areas he’s broken the most ground in is the dynamic between Doc and his son Merle, who truly comes alive in this chronicle. With that, I point you to Doc and Merle’s version of the Delmore Brothers song “Brown’s Ferry Blues” from the 1971 album On Stage. Also this week, new music from the Burnett Sisters, Andy Leftwich, and Oakland mandolinist Jesse Appelman from his new LP Where We Go. By the way I mis-speak in the episode in crediting the song Anna Lee. It was cut by Levon Helm, as I note, but it was written by NC’s great Laurelyn Dossett. I regret the error.

Featuring Mike Miz, Tim Easton & Meels.

Since breaking out with his 1989 major-label album How Did You Find Me Here, North Carolina’s David Wilcox has been a consistently excellent practitioner of the new folk, fingerstyle guitar arts. The songwriter, known for his empathic writing and audience-embracing shows, is now 67 and still thinking deep thoughts about the world, compassion, art, and the arc of life. He stopped through Nashville last November to talk about maintaining a “visionary attitude” over time and his latest album The Way I Tell The Story.

Della Mae has been on a heck of a journey since Boston fiddler Kimber Ludiker assembled a band of women to play bluegrass that shreds and defies limits in 2010. The cool thing is that their freshly rebuilt website acknowledges this with a crisp account of the band’s phases and stages – getting signed by Rounder Records, the global touring by way of the U.S. State Department, the IBMA Awards. Now, they say “Della Mae can boast their strongest lineup yet. Founders Kimber Ludiker and Celia Woodsmith are joined by guitarist and songwriter Avril Smith and vocalist and two-time IBMA Bass Player of the Year Vickie Vaughn.” And they’re coming in hot on Jan. 23 with their newest album Magic Accident, which “explores the complexity of being human and the drive to seize joy and possibility amid the sheer improbability of being here at all.” We spin the single “Family Tree” to launch this episode. Also, a special song cycle album from Valerie Smith and I play a batch of 1980s and 90s bluegrass I picked up over the holidays on CD at Nashville’s used record stores.

I wasn’t able to attend the recent Ryman Auditorium show featuring the Sam Grisman Project with Peter Rowan and special guests, but I went to last year’s debut of this important acoustic and bluegrass collaboration, and it was spectacular. David Grisman’s son Sam has come into his own as a leader, as I documented last year on The String. So imagine our surprise when he dropped a mighty 20-song double album just before Christmas. Working with banjo player Victor Furtado, mandolinist Dominic Leslie, and singer Logan Ledger, among others, Grisman steers with a steady hand through a rich mix of American songs. The sound is easy and natural. It’s a major statement, so we launch this show with two tracks, with more to come. Also this week, new music from LA’s Kenny Feinstein, Arkansas traveler Melissa Carper, and Nashville’s George Jackson. That last one? It's a little weird and we love it. Also, we say a sad farewell to banjo master Gabe Hirshfeld, who passed away too young.