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  • This week, we'll hear from Canadian songwriter Lynne Hanson and her new single "Invisible," badass roots pop duo The Montvales, and West Coast composer/poet/filmmaker ISMAY (pictured).
  • The Infamous Stringdusters emerged out of Nashville’s world-class but somewhat undiscovered bluegrass scene of the 2000s. Six guys with different professional pathways into the music and wide ranging tastes in other genres got to know each other at gigs, picking parties, and the IBMA World of Bluegrass. And their first gesture as a band - the 2007 album Fork In The Road - was a triumph, winning three IBMA Awards. Since those days and after a couple of early personnel changes, today’s quintet has become a huge force in jamgrass music with a fierce and in-demand live show. Yet they turn back to some of the simpler and more blues-based elements of their core heritage on their new 20th anniversary release, 20/20.
  • Amy Speace is one of our most subtle and heart-grabbing songwriters. Essence & Gold Country brings deep roots country from the Bay Area. And Thomm Jutz, respected songwriter, producer and guitarist from here in town, showcases his new 'grassy concept album.
  • Nearly 12 years ago, an informal arrangement between the caretakers of a down-on-its-luck American Legion Post and a handful of young honky tonk musicians led to the creation of Honky Tonk Tuesday Nights, one of the most vibrant residency music series of the past two decades. It’s been a haven for people who love to dance, for East Nashville community, for visits from stars, and for talent development in roots/Americana music. Craig spends time with the event’s founders and takes you to the scene, now moved to Eastside Bowl in Madison. With a photo essay by John Partipilo.
  • My first “bluegrass” album wasn’t really bluegrass but a duet of acoustic guitars and voices on old folk and mountain songs by Tony Rice and Norman Blake. That intimate combo blew me away and kind of changed my life. The format isn’t common but a new duo is embracing it, and they are Geary Allen (of the Burnett Sisters) and John Gooding (of the Po’ Ramblin’ Boys) performing as Geary and John. We’re pleased to present their debut single, “Just Too Lazy,” from an upcoming album on Mountain Fever Records. The Steep Canyon Rangers launch our hour with a new single from what they’re calling a back-to-our-roots album that will be called Next Act, coming May 22. From working man folk territory, check out The Brudi Brothers and their fisherman song called “Silver Wave.” And we’ve got new stuff from Claire Lunch and Jim Lauderdale with the Po’ Ramblin’ Boys as well.
  • This week, we're featuring the film noir twang of India Ramey (pictured), Nashville native and songwriting newcomer Maisy Owen, and Australia-born blues and roots singer Kara Grainger.
  • We start with the amazing voice and writing of edge-of-country Aubrie Sellers with songs from her new album Attachment Theory. Nashville native Jess Woodland is emerging as a deeply soulful and personal songwriter with a voice that grips. And we'll close out with a song-swapping sessions with R&B/country cats Yates McKendree, Seth James, and Mike Gulden.
  • Nashville’s Bob Minner has straddled the worlds of country music and bluegrass like few others in the modern era as a songwriter and guitar picker. More than 30 years ago, the Missouri native signed on with his lifelong friend Tim McGraw. More recently he’s written songs cut by The Po’ Ramblin’ Boys, Jim Lauderdale, Blue Highway and others. Signed now to Billy Blue Records, Minner’s releasing new music of his own, the latest being “Kentucky Bluebird,” written by Don Cook and Wally Wilson back in the 80s and released as an enhanced, posthumous demo recording by Keith Whitley. Minner and McGraw both love Whitley and have used this song as a warm-up before going on stage. So here, McGraw lends his voice, as does Lori McKenna, on a lovely new take on the song. Also this week, Jesse Smathers reworks the old jug band number “Take A Drink On Me” with old-time flair, while Joe Newberry and April Verch welcome spring with the new album and title cut “Blessing On The Wing.”
  • Stepping away from a successful band and into a solo career is a tried-and-true pathway for many bluegrass stars, and few in recent years have said farewell to such a good gig but garnered so much acclaim and stature in return as mandolinist, singer and songwriter Darren Nicholson. The North Carolinian did 15 years as a founding member of Balsam Range, where he shared in a bunch of IBMA Awards, including two for Entertainers of the Year and two for Album of the Year. Then at the end of 2022, he made his departure official and launched with the album Wanderer in 2023. We’ve played a bunch of singles on the way to his newest release as a leader, Lonesome Trails And Tall Tales. On release week, we open with its luxurious waltzing lament, “I’ve Got No Tears Left To Cry.” Also this week, the first single from the upcoming album by another Carolinian, Laurelyn Dossett, the rising west-coast trio Sweet Sally, and a block of songs inspired by Amy Alvey’s long journey to the Shetland Islands Folk Festival.
  • Earl Jam is back. Two years after releasing his first Grammy-nominated, multi-artist collaboration in the name of Earl Scruggs, banjo legend Tony Trischka has sent Earl Jam 2 into the world, and it continues the surprises, the old standards, the surprising songs in a match of artists and repertoire for our time. To remind you of the backstory. Tony received a gift of a thumb drive with audio recordings of John Hartford jamming with Earl in the 1980s and 90s. There were 200 songs, from classics to quirky takes on pop tunes. And Tony made a deep study of Earl’s solos, finding nuances and ideas that were novel in his life-long pursuit of all things Earl. Here we welcome the release with “Columbus Stockade Blues,” cut with Del and Ronnie McCoury. We’ll have other tracks in the coming weeks of course. Also this week, the newest collab between Jim Lauderdale and the Po’ Ramblin’ Boys, Joe Troop’s new folk protest band and song, and the first recording we’ve seen from North Carolina supergroup TANASI.
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