Arts and Entertainment

I was raised on instrumental music before I fell in love with songs and songwriters, so I keep my radar scanning for contemporary instrumental records in the roots music space. For years, such albums came predominantly from the bluegrass universe, but through 2024 and on into this year, I kept latching on to sonic excursions encompassing rock, blues, guitar folk and twangy jazz. Here’s a roundup of recent recordings that will set your head bobbing while requiring no verbal skills.

It would be hard to name any songwriter in Nashville’s long history whose work has been recorded by more stars across more genres of music than Gary Nicholson. The Texas native came to Nashville in 1980 after stints in Ft. Worth and Los Angeles, and not only did he amass an impressive string of country music hits with Vince Gill, Patty Loveless, and more, he became Music City’s go-to soul and R&B man, conjuring songs for Bonnie Raitt, Etta James, BB King, The Fabulous Thunderbirds and even Ringo Starr. Now at 74 he’s turned his own performing/recording life to songs of conscience and social protest, as on his new album Common Sense.

Sierra Ferrell, fresh off her Artist and Album Of The Year wins at last Fall’s Americana Honors & Awards, went four-for-four in her first-ever nominations on Sunday at the 67th Grammy Awards. She shared American Roots Song honors with Nashville’s Melody Walker. Songwriter Ruthie Foster secured a first-ever Grammy for herself and her new label Sun Records. Billy Strings and the duo of Gillian Welch and David Rawlings won awards as well. While on the prime time broadcast, roots music didn’t get its turn.

Sam Grisman, the 35-year-old son of mandolin icon David “Dawg” Grisman, grew up in a unique and supercharged musical environment, to put it mildly. Jerry Garcia was coming over all the time to the family home to pick and record old-time folk music with the elder Grisman. Bluegrass legends came and went, rehearsing and recording, and giving Sam something to aspire to when he picked up the bass as a little kid. After a decade working and touring as sideman, he’s now based in Nashville leading his own collective, the Sam Grisman Project, which is nurturing the repertoire of the Grisman/Garcia partnership, with selected tunes from the Grateful Dead repertoire as well. With a remarkable concert at the Ryman Auditorium in January 2025, Sam stepped into a new phase of his musical life.

After decades in the shadows as a catalog company, historic Sun Records was acquired four years ago by the global music and media company Primary Wave. Now headquartered in Brentwood, a refreshed Sun is an active label again, and its 2024 releases by Americana standouts Amy Helm and Ruthie Foster - plus a flurry of vintage reissues - suggest that it’s going to make a substantial impact on the roots music space in the years to come.

For country singer Kaitlin Butts, 2023 was very good and 2024 was even better, with an Americana Award nomination, praise in Rolling Stone magazine, and festival dates she’d been dreaming of. Her reputation and acclaim grew on the strength of her feisty stage temperament, her bold and cutting voice, and her fearless songs. Raised in Oklahoma on theater and country music, the iconic Rodgers and Hammerstein musical set in her state became a touchstone. Years later, she’d take the bold step of writing and recording a concept album reacting to and enlarging on the themes of the show. It’s called Roadrunner!, and it was among the most impactful albums in Americana and country music last year.

This one’s personal. Eight years ago, when we launched the Roots Radio format on the historic signal WMOT 89.5 FM, a few of us knew we could have no better program director than Jessie Scott, and we were fortunate that she was in the right time and place to come on board. Her 50 years of on-air experience, her expertise in Americana music, and her warm and knowledgeable voice have become the core of WMOT’s sound. She governs the deep and excellent WMOT playlist and its mix of new and legacy music, plus she’s a fountain of enthusiasm on the air every weekday afternoon from 4 to 7 pm. So after all this time and hearing some of her career stories, it was time to invite her on The String for a special year-end episode.

Traditional acoustic blues has seen one of its periodic revivals, with more younger African American artists involved than any time I can remember. No survey of the scene would be legit without sizing up the career of 35-year-old Jerron Paxton, sometimes known as “Blind Boy” for a severe myopia that’s affected his life since his teens. We should be grateful he’s committed to music - as a revivalist of the old and a writer of the new in a range of styles from Delta to ragtime to stride to spiritual. His variety and vivacity bursts forward on Things Done Changed, his first album for Smithsonian Folkways Records. In a zoom from his base in New York City, we talk about his upbringing in Los Angeles and his approach to developing his advanced understanding of foundational American music.

We took some holiday down time to sip our bitters-infused bourbon cocktails to think about the year in old-time and bluegrass music. Because special things happen when the electricity’s cut off and the drummers take five and the performances are made with hands, fingers, voices, and old boxes of wood and wire. Here you’ll find breakout new stars of string band music, a blues revivalist, veterans taking new directions, and important collaborations. We’ll return to these excellent records all in one hour in the Jan. 4 episode of The Old Fashioned.

Is Nashville’s diversification and rapid growth ultimately compatible with the village-like, art-first ethos that’s made so many of us want to live and create here? That question has been debated in the cultural community for years, but less so in the halls of power, where decisions about zoning, development, arts funding and historic preservation are made. Now though, in a double dose of civic analysis, two studies released in the second half of this year uncover important new data and put hard policy choices on the doorstep of the Metro Council and new Mayor Freddie O’Connell. Meanwhile, a new fund-raising festival for independent venues will take place early in 2025, a sign of the sector continuing to take matters into its own hands.