Craig Havighurst

Andrea Zonn and John Cowan have a few years under their belts as co-lead vocalists in the Nashville supergroup The HercuLeons, and now they have a debut album to complement their regular shows at 3rd & Lindsley. Given that they have significant touring commitments with superstar bands The Doobie Brothers (Cowan) and James Taylor (Zonn), they’ve done well to corral this assembly of musicians and songs. They’re both Music City veterans with rich stories to tell, so we’ve given them each their own episode of The String.

I might have featured The SteelDrivers this week, who just released their latest album Outrun on the revived Sun Records label, and we do kick things off with thier new song "The River Knows." However, I published a whole episode of The String with Tammy Rogers and Mike Fleming going over their whole history, so find that here. Instead, let's shine the bluegrass spotlight on Tim O'Brien and his wife Jan Fabricius, who've released their first jointly named album together after recording and touring as a harmonizing couple for about a decade. Tim, who turned 71 this spring, is of course a main driver in the rise of Colorado as a bluegrass hub. His band Hot Rize was the most exciting act of the 1980s, and Tim's solo career has been standout for his wonderful singing, his smart collaborations, and his songwriting. Tim and Jan present Paper Flowers, and we have the title cut. More new album action comes from Missy Raines & Allegheny, mandolinist Ashleigh Graham, and Corrina Rose Logston Stephens of the band High Fidelity in a new project she calls Rrinaco. Our throwback cuts this week come from the New Kentucky Colonels, Rhonda Vincent, and the Del McCoury Band.

Lance Cowan came to Nashville from his native Kentucky in the 1980s to build his career as a newspaper reporter, but he had the songwriting bug from the beginning. He made the scene at the Bluebird Café and made musical friendships. But with a family to raise, he wasn’t up for the sacrifices of the touring life. So he turned to music PR and he’s been one of the most trusted and easy-going pros in the roots music field for three decades. Now though, he’s turned back to music, releasing two albums in two years. Craig catches up with his old friend and colleague about his new direction.

When Shelby Means played WMOT's Finally Friday show a few weeks ago, out team was just beside themselves. They raved about it like no other set I can recall. I made sure to catch the official album release show to see her band for myself, and it was indeed fantastic, with vivacious songs and guest musicians like Michael Cleveland that showed off Shelby's top tier network of friends and supporters. We in the biz have known about Shelby's musicianship for years, and the world got wind of her touring with Molly Tuttle's Golden Highway band. Tuttle's put that ensemble on the back burner, so now the members are free agents, and Shelby's timed her solo debut album just right, landing May 30. We play the clever "5 String Wake Up Call" to wake up this week's show. Also, an exclusive early track from Longtime Friend, the upcoming New West Records release by Virginia string band The Wildmans. Amy introduces us to the band Big Chimney Barn Dance. And we revel in old standards by Jimmy Martin and Pete Seeger.

It’s hard to believe that Nashville’s SteelDrivers have been making their unique brand of hard-core string band music for nearly twenty years. They were the vehicle through which many of us were introduced to the epic voice of Chris Stapleton, back when he and Mike Henderson co-wrote that band’s high impact debut album of 2008. When Henderson and Stapleton had to move on, the band pulled its greatest trick, growing bigger and building a legacy that’s like nothing else in 21st century bluegrass. In Episode 324 of The String, Craig talks with original members Mike Fleming, bass player and baritone vocal, and Tammy Rogers, the fiddler and harmony singer who now leads the way with the band’s songwriting. We talk about the whole ride, up to the new album Outrun, out now on a revived Sun Records.

The story of how global banjo explorer Joe Troop (formerly of Che Apalache) met Venezuelan harpist and all-around folk music master Larry Bellorín is testimony to the magic of global culture and a cautionary tale about the stark turn US policy has taken against working asylum seekers this year. Over three years as the bilingual, genre-fusing, and multi-instrumental duo Larry & Joe, they’ve toured widely and made two albums together to great acclaim among folk music lovers. They’re one of the most charismatic and culture-crossing acts to come out of roots music in the past decade. Here in a special episode of The String, they tell their story in an interview that took place in Knoxville, TN in March.

I was so lucky to know Barry Poss over the last couple of decades, because his spirit and wit helped me understand how he steered Sugar Hill Records from a one-man operation in a Durham, NC apartment in 1978 to a powerhouse of roots music that signed a young Ricky Skaggs to one of his first record deals, plus the Country Gentlemen, Hot Rize, Doc Watson, Tim O’Brien and more. Barry discovered a 13-year-old Chris Thile, releasing his first solo album and steering the rocket ship career of Nickel Creek. No doubt Sugar Hill changed my life and many others, so this week we pay tribute to the label and to Barry, who passed away after a grueling struggle with cancer. You’ll hear innovative Cajun from the Red Stick Ramblers, banjo mastery from Jim Mills, and the bluegrass breakthrough of Dolly Parton. By coincidence, Barry’s passing and thus this episode coincides with my new report from Durham and its new Biscuits & Banjos festival. It includes a note about Barry Poss’s role in making musical history there.

That. Was. Fantastic. WMOT’s experienced and passionate (and woman run) team pulled it all together, lined up great music, got a little lucky with the weather, and our people turned out for a truly exceptional Roots On The Rivers. All afternoon and evening on Saturday, the grounds of Two Rivers Mansion rang with authentic music that touched some core genres in the Americana universe - modern folk, rock and roll, bluegrass, newgrass, and the blues. Our members and fans turned out in record numbers. And the artists generously embraced our Roots Radio community with very nice words live on the air for WMOT between their scorchin’ songs.Photographer Kristen Drum was on the scene for us again, and here are some highlights of our day.

This episode of The String is a field report from the city that raised me in the 1970s and 80s and gave me my foundation in music, from college rock radio, to youth orchestra at Duke University, to jazz tutelage at a Black Muslim community center. It’s an arts-forward city that in the past decade has become something of a magnet for roots music, building on a history of gospel, blues and string band music, while the new festival Biscuits & Banjos, curated by Rhiannon Giddens, has put itself in a position to be a bridge from the past to the future and give Durham the identity it’s lacked as a national music hotspot.

This week we make a celebratory sandwich with the very special duo of Kieran Kane and Rayna Gellert, with brand new tunes opening, closing, and subdividing the show, plus one of their incisive vocal numbers in the middle. Rayna, as many of you know, has been a distinguished fiddler and songwriter for years on the folk circuit, notably as part of the supergroup Uncle Earl in the early 2000s. Kieran kicked Music Row in the hiney in the 1980s as half of the O’Kanes (with Jamie O’Hara) by proving that smart, Beatles-influenced country music could achieve hit status on the radio, as they did many times. As part of that effort and era, he launched the important Nashville indie label (and artist collective) Dead Reckoning, a key moment in the Americana revolution. He says the new Kane/Gellert release – Volume 4 – will be the last Dead Reckoning release. But not, we hope, from him and his formidable partner. Also this week, we kick off with a powerful and fun twin fiddle romp by Deannie Richardson and Kimber Ludiker, then it’s off to new songs from Zeb Snyder, Danny Burns, Gina Britt, and the Po’ Ramblin’ Boys (with their new lineup).