Arts and Entertainment

Andrea Zonn and John Cowan have a few years under their belts as co-lead vocalists in the Nashville supergroup The HercuLeons, and now they have a debut album to complement their regular shows at 3rd & Lindsley. Given that they have significant touring commitments with superstar bands The Doobie Brothers (Cowan) and James Taylor (Zonn), they’ve done well to corral this assembly of musicians and songs. They’re both Music City veterans with rich stories to tell, so we’ve given them each their own episode of The String.

Lance Cowan came to Nashville from his native Kentucky in the 1980s to build his career as a newspaper reporter, but he had the songwriting bug from the beginning. He made the scene at the Bluebird Café and made musical friendships. But with a family to raise, he wasn’t up for the sacrifices of the touring life. So he turned to music PR and he’s been one of the most trusted and easy-going pros in the roots music field for three decades. Now though, he’s turned back to music, releasing two albums in two years. Craig catches up with his old friend and colleague about his new direction.

It’s hard to believe that Nashville’s SteelDrivers have been making their unique brand of hard-core string band music for nearly twenty years. They were the vehicle through which many of us were introduced to the epic voice of Chris Stapleton, back when he and Mike Henderson co-wrote that band’s high impact debut album of 2008. When Henderson and Stapleton had to move on, the band pulled its greatest trick, growing bigger and building a legacy that’s like nothing else in 21st century bluegrass. In Episode 324 of The String, Craig talks with original members Mike Fleming, bass player and baritone vocal, and Tammy Rogers, the fiddler and harmony singer who now leads the way with the band’s songwriting. We talk about the whole ride, up to the new album Outrun, out now on a revived Sun Records.

The story of how global banjo explorer Joe Troop (formerly of Che Apalache) met Venezuelan harpist and all-around folk music master Larry Bellorín is testimony to the magic of global culture and a cautionary tale about the stark turn US policy has taken against working asylum seekers this year. Over three years as the bilingual, genre-fusing, and multi-instrumental duo Larry & Joe, they’ve toured widely and made two albums together to great acclaim among folk music lovers. They’re one of the most charismatic and culture-crossing acts to come out of roots music in the past decade. Here in a special episode of The String, they tell their story in an interview that took place in Knoxville, TN in March.

That. Was. Fantastic. WMOT’s experienced and passionate (and woman run) team pulled it all together, lined up great music, got a little lucky with the weather, and our people turned out for a truly exceptional Roots On The Rivers. All afternoon and evening on Saturday, the grounds of Two Rivers Mansion rang with authentic music that touched some core genres in the Americana universe - modern folk, rock and roll, bluegrass, newgrass, and the blues. Our members and fans turned out in record numbers. And the artists generously embraced our Roots Radio community with very nice words live on the air for WMOT between their scorchin’ songs.Photographer Kristen Drum was on the scene for us again, and here are some highlights of our day.

This episode of The String is a field report from the city that raised me in the 1970s and 80s and gave me my foundation in music, from college rock radio, to youth orchestra at Duke University, to jazz tutelage at a Black Muslim community center. It’s an arts-forward city that in the past decade has become something of a magnet for roots music, building on a history of gospel, blues and string band music, while the new festival Biscuits & Banjos, curated by Rhiannon Giddens, has put itself in a position to be a bridge from the past to the future and give Durham the identity it’s lacked as a national music hotspot.

Saturday’s WMOT festival gives us a fresh reason to pause and think about the fuzzy quantum energy particle that is Aaron Lee Tasjan. He’s a shapeshifter, a rocker and a folkie, a singer and guitar player for the ages, and a mensch beloved by his Nashville community. In the dozen years he’s been in Nashville, he’s released a wildly daring and diverse string of albums. Among them: the jangling alt-country of In The Blazes, the Glamericana of Silver Tears, two different versions of his Beatles-ish rock and rolling Karma For Cheap, and last year, the delicious and sometimes snarky synth-pop opus Stellar Evolution. A bit of all those moods will work their way into ALT’s set on Saturday for Roots On The Rivers. It was time to catch up with our restless friend.

Texas songwriter Vincent Neil Emerson graduated from playing on the streets and in the bars of Fort Worth to tours with Colter Wall and American Aquarium and then a well-received debut album (2019’s Fried Chicken And Evil Women). That inspired none other than Rodney Crowell and Shooter Jennings in turn to take an interest in producing the young country troubadour, resulting in a self-titled release in 2021 and the more recent The Golden Crystal Kingdom of 2023. They heard what I hear - an artist processing his past and making his struggles universal, a singer with an honest voice and a distinct point of view. He paused during his ongoing touring to sit down with WMOT after a show at Skinny Dennis.

Atlanta native Kristina Murray moved to Nashville in 2014 with a fresh and original debut album and steely determination. The country singer and songwriter carved out a respected space at honky tonks like Santa’s Pub and the American Legion. When hard work and critical acclaim for her two releases didn’t launch her career to a new orbit, it felt like defeat. That, plus the pandemic, fueled some challenging times and emotions that inspired her new one, Little Blue, a lovely, lament-filled album on New West’s Normaltown imprint. Murray is due for new waves of attention, and we talk about how hard that is to manifest in this edition of The String.

I’m With Her, the sublime and award-winning trinity of Sarah Jarosz, Aoife O’Donovan, and Sara Watkins is back with their second album, after an eight year interim since their debut See You Around came out to great acclaim. The new Wild And Clear And Blue, written over several years and produced by multi-instrumentalist indie folk guru Josh Kaufman, arrived last Friday, and it’s sure to be one of the most celebrated recordings of 2025. Craig reviews the album and speaks with Sara Watkins about this special relationship, plus her ever-evolving work with Nickel Creek and the Los Angeles Watkins Family Hour collective.